christie is racist (part 1)

apparently.

i had a very long conversation with someone this week, who was kind enough to spend a good 3 and a half hours with me, providing feedback on the reading (march 4th in english theatre berlin)

she said many things, mostly challenging and highly critical as far as the plot and themes raised in the play are concerned. right now, i would like to discuss one of them: christie is the biggest racist in the play.

that certainly took me back. but seeing as i want the play to be challenging, i guess there is no reason why i shouldn't be challenged in turn?

according to the lady i was speaking with (i will call her h.), christie fails to communicate to those around her who are behaving in an ignorant manner, why their behaviour and their assumptions are wrong. so for example, there is a scene with three senior white managers who behave in an outrageously dismissive way towards christie. in that scene h deems the behaviour of managers as ignorant, certainly wrong, but that christie is the racist, as she doesn't call them on their rubbish - christie misses an opportunity to rid the world of racism because she doesn't challenge it.

do you follow?

according to h, another reason why christie is racist is because she sees everything so completely in terms of 'black' and 'white'. she reduces the problems she experiences simply to being a black person and the character of christie offends white people (both those on stage and in the audience) because she is so confrontational & reductionist: 'you can't understand me, because you are white'.

i see a contradiction in these two lines of argument, but that doesn't trouble me, because i believe discussions about race, racism and identity will almost always be inherently contradictory - the language we have at our disposal to discuss these issues is far too poor to capture the richness of human experience. we are bound to stumble - the trick is to get up and keep walking just the same. and i am grateful to h for meeting with me to share her views.

having said that, i do feel the need to blog about the charge of racism levied at christie.

this could be long(!), so i will deal with this issue in several parts. for now, part 1, i will leave the charge as it stands - please feel free to leave comments...(comments policy soon come - for now, simply be respectful).

draft 2...

i needed to react quickly to this email that amy r. forwarded to me:

Arts Management student at Dartington College of Arts is offering an opportunity for new playwrights to have their work produced:

I’m seeking previously un-produced scripts of contemporary plays, from which one will be selected for development and production with my fellow students, leading to a public performance this May. Ideally this will be a collaborative process with the writer, as their vision and input and will form a vital part of the project’s development.

Unfortunately time and resource restraints demand that the piece be only approximately 40 minutes in length and involve not more than half a dozen characters. However, it may be possible to produce 2 shorter pieces, so if you’ve written something short and great then send it in!

the deadline is march 11th - tomorow?
i have done the best i can in the time available - though i still want to do more work on the characters dirk, rita, and possibly increase the role of the chorus. so regardless of the outcome of the dartington project, i am moving swiftly on to draft 3.
more soon!

did i really say that?

i keep having flashbacks of the reading on sunday. one thing that came to me as i was walking home today was the question i posed to the white members of the audience. the words were something to the effect of 'how did it feel to be othered by me?'
did i really say that?
there was a bit of a stunned silence.
i don't remember anyone answering the question directly, and the discussion moved on in a different direction
but after the discussion had ended someone did come to speak to me.
he admitted that it didn't feel very good at all, and that the play had really caused him to think...
job done then?

photos from last night

tyrell did an excellent job of reading k.b. - i was afraid he would steal the show just because he was so cute. he didn't. he was cute, but he stole the show because he was so talented. damn!



katharina & kristian played various random - sometimes not very flattering - white people in the play. two very talented actors. i'm very proud to have worked with them.


our leading man and lady: benedikt as dirk and allyson as christie. what can i say? thank you sooo much for the blood, sweat and tears! it was all worth it in the end... :-)
the roles of dirk and christie were the most demanding of all - and both benedikt and allyson rose to the challenge admirably.


as meryl was unwell, she was unable to take part as planned. sarah stepped in literally at the last minute to read rita.
she was brilliant.



just before the reading, outside the theatre
back row: katharina, kristian, lewis, allyson, benedikt
front row: tyrell, dion

the reading was a success

the play was read in front of a small audience this evening and went down very well.
i received strong feedback and constructive comments on how i can develop the play further.
i was really pleased that the audience was mixed in terms of ethnicity - it was also a small enough group for people for everyone to be able to contribute if they wished to.
anyway - the next steps.
tonight i received some conflicting pieces of advice about where to go next:
- is dirk portrayed 'too nice' or is he just right?
- were the senior white managers too over the top or are they a funny but accurate representation of what really goes on?
- is the chorus fine as it is or should i change it somehow?
i'm going to take some time to go through the comments and evaluate them.

apparently getting the first draft down is the easy bit.
now i gotta roll up my sleeves and do draft 2...

welcome...

...to a reading of my first play

otherpleasespecify

sunday march 4th, 8pm
english theatre berlin
fidicinstr. 40, 10965 berlin-kreuzberg

tel: 030 - 693 5692
tickets: 030 - 691 1211

the play is being read as part of 'the lab' series, which means audience feedback is strongly encouraged during the question and answer session following the reading.
tickets are 5 € (3 € conc.)

i really hope to see you there.

credits

a reading of otherpleasespecify, starring

christie - allyson otoo
dirk - benedict bindewald
rita - meryl prettyman
k.b. - tyrell otoo
chorus & other characters - kristian bruun & katharina lehmann

stage directions & question and answer session - sarah lewis
director - sharon otoo


sharon says:

thank you all for agreeing to help me out on this
when i'm rich and famous y'all get a limosine each, ok?